By Charles Alfred Speed Williams
Achieve a deeper appreciation for chinese language paintings and structure via realizing its symbols. The Yin and Yang, dragon, phoenix, 5 components, and different symbols are defined of their old and cultural context. chinese language Symbolism and paintings Motifs additionally contains articles on chinese language ideals, customs, arts and crafts, meals, agriculture and medication. initially released in 1941, this is often the traditional reference book, Read more...
summary: achieve a deeper appreciation for chinese language paintings and structure through figuring out its symbols. The Yin and Yang, dragon, phoenix, 5 components, and different symbols are defined of their ancient and cultural context. chinese language Symbolism and paintings Motifs additionally contains articles on chinese language ideals, customs, arts and crafts, meals, agriculture and drugs. initially released in 1941, this can be the normal reference publication, with over four hundred illustrations to aid make clear and outline this historical, complicated tradition
Read Online or Download Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages PDF
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Additional info for Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages
Sample text
Daisetz Suzuki (1870–1966), prophet of Zen to the West, has written much on the Chinese masters and their Japanese successors. The ancient philosophical basis of Chinese lore and art symbolism is that the world and the heavens have polarity, namely a positive or male yáng and a negative or female yïn. This principle is one suggesting counterbalancing parts, one side giving energy to the other. When yáng and yïn work in society, the outcome is egalitarian and democratic, while in art the work is dynamic and creative.
These injunctions he obeyed to the letter, and was rewarded by escaping from an overwhelming catastrophe which destroyed his flocks and herds in the plain below. In memory of this signal deliverance, people on this day go up annually to the mountains and hills in imitation of Huán Jîng. The kite-flying, which is now invariably associated with these expeditions, finds no foundation in the original fable, and was very likely suggested by the combination of circumstances, a high elevation, and a fresh autumn breeze.
Williams is remarkably perceptive on the subject of Buddhism, although he does not define Chán specifically. He is, however, far ahead of his time in pointing out the profound influence of imported Indian Buddhism on the ideals and art of China. Buddhist thought pervades Chinese culture in all its classic phases and was transmitted from China to Japan and Korea in an assimulated form to be modified in the creative local adaptations with which most of us are familiar. Almost everything in Williams, whether folklore or art symbolism, is applicable to Korea and Japan as well.