By Stephanie Smith, Victor Margolin
The publication explores the ways in which this layout procedure is being used-and occasionally deliberately misused-by an rising staff of artists who mix clean aesthetic sensibilities with constructively serious techniques to the creation, dissemination, and show in their paintings. Lavishly illustrated, the e-book additionally comprises texts by way of and interviews with person artists, besides giant essays through exhibition curator Stephanie Smith and layout historian Victor Margolin. What effects is a bracing quantity that would be of curiosity to practitioners and aficionados of layout and paintings alike, in addition to to environmentalists.
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Extra resources for Beyond Green: Toward a Sustainable Art
After some initial investigation, we found a company that made flexible and lightweight solar panels. We realized that we could integrate these into garments and handbags to create mobile power units for handheld electronic devices such as cell phones. Our goal was to find a way to disconnect from conventional power sources and to still be connected to a larger network of information. With the help of local solar expert Vladimir Nekola, we created a few prototypes of different potential applications.
Could you start by explaining how the Audio Relay (AR) came into being, what it is, and how Temporary Services was (and is) involved in the project? Brennan McGaffey: In 2002, Brett [Bloom, of Temporary Services] approached me about designing a portable audio unit. The idea was that it could travel and accumulate a library of unusual audio CDs. But it wouldn’t just collect the CDs, it would also be able to play them and act as a small exhibit. I added a radio transmitter so that entire neighborhoods can become engaged.
SS: As Brett notes, you all have worked (and some of you continue to work) with other artists’ groups apart from Learning Group. What do you each find most interesting or satisfying about working collectively? How do you manage group process across distance? BB: I am currently active with five groups, some more than others. I am constantly challenged by this way of working—a challenge that doesn’t come when I sit by myself in a studio making objects. Each group offers a different social ecosystem, personalities, capabilities, and challenges.
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