By Amanda Briggs-Goode
This booklet explains the basics of revealed cloth layout, from layout short via to the finished assortment, and introduces the fundamentals of colour, drawing, composition, and repeat with a sequence of step by step workouts and examples.
Printed cloth Design is helping to demystify the layout procedure and offers a useful advisor to the learn and perform of cloth design.
The booklet contains case reports of designers operating in either the style and interiors sectors. It covers hand and standard print concepts and the newest electronic print applied sciences, with in particular commissioned images of the methods. All points of fabric layout are coated, from sustainability to production and advertising the completed product
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Additional resources for Printed textile design
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Designers should interpret trend and prediction intelligence thoughtfully, enabling them to create lively, vibrant, innovative and interesting designs that are appropriate to the market for which they are designing. Trend magazines and other such resources are invaluable sources of visual inspiration for designers, providing timely trend information as well as a library for ideas in the future. Anna Proctor, a designer with a large high-street fashion retailer, states: Trend-prediction services are just part of how we pull together our ideas for the upcoming season; we look at catwalks, magazines, exhibitions, as well as shopping trips abroad and getting out in London regularly.
Draw in pencil a 32cm (12½in) square, ensuring the corners are drawn at 90 degrees; use a set square if necessary. Draw a grid, in dashed pale-pencil line, to enable you to place your motifs accurately. This grid should be relevant to the scale of your motif, so, for instance, if you drew your grid at 8cm (3in) intervals in both directions and your motif was 4cm (1½in) then each motif would have a 4cm (1½in) space between them. STEP 4 STEP 5 Using your tracing or photocopy, arrange your motif within this block nine times, at the intersection of each dashed line, so that the organization of the motif will create a grid-like pattern.
Value: the amount of light or dark in a colour; a colour with a high amount of white has a high value. Chroma: the amount of a pure colour present; absence of grey. Saturation: the intensity of a colour, similar to chroma. Below is a colour at full intensity and at different levels of desaturation. Temperature: a colour is classified as ‘warm’ when it is mixed with red, orange or yellow, or is considered ‘cool’ when mixed with green, blue or violet. A good exercise to explore colour temperature uses the primary and secondary colours on the subtractive colour wheel (see page 46).