By Brunilde S. Ridgway
The that means of architectural sculpture is vital to our figuring out of historical Greek tradition. The embellishment of constructions was once universal for the traditional Greeks, and sometimes provocative. a few decorative sculpture was once put the place, whilst the development used to be complete, no mortal eye may perhaps view it. and in contrast to a lot architectural ornamentation of alternative cultures, Greek sculpture used to be frequently quintessential to the development, not only as ornament, and will no longer be got rid of with out affecting the integrity of the construction constitution. This booklet is the 1st entire remedy of the importance of Greek architectural sculpture. Brunilde Sismondo Ridgway, a world-class authority on old Greek sculpture, offers a hugely informative travel of many dimensions of Greek public buildings--especially temples, tombs, and treasuries--in a textual content that's without delay lucid, available, and authoritative.Ridgway's pragmatism and customary experience steer us tactfully and obviously via thickets of uncertainty and scholarly confrontation. She refers to an immense variety of monuments, and records her discussions with copious and up to date bibliographies. This ebook is certain to be said instantaneously because the normal remedy of its very important subject.
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Extra resources for Prayers in Stone: Greek Architectural Sculpture (c. 600-100 B.C.E.) (Sather Classical Lectures)
Sample text
Yet that convincing, integrated groups could be produced is shown by the relatively early (ca. ) Moschophoros on the Athenian Akropolis who forms a coherent Page 7 unit with the calf he carries on his shoulders; and stories could be told by simple juxtaposition. , from the Olive Tree and the Introduction pediments) are entirely in the round, minimally supported by their frame. The longevity and wide diffusion of the kouros-and kore-types cannot have been other than intentional, as was the different nature of architectural sculpture.
The aesthetic component of a structure may reside, for instance, in its pleasing proportions, the arrangement of its windows, or the beauty of its materials (which today seldom consist of the prohibitively expensive cut stones, not to mention marble), but it certainly need not find expression in figured friezes, freestanding statuary, or elaborately carved moldings. Even some of the most colorful buildings erected in recent timesfor instance, Erdman Hall by Louis Kahn, on the Bryn Mawr College campus2rely on tex- Page 2 tural contrasts, different types of material, and original plan, to create a response in the viewer.
VIAE)Latin term for street, used for the narrow sloping space between the mutules of a Doric cornice Page 1 Chapter 1 Why: The Advantages and Limitations of Studying Greek Architectural Sculpture It is a widely held opinion that architecture is the most political of all visual artsindeed, if "political" is taken in its etymological sense of "everything that pertains to a polis," public buildings would surely represent that polis' most permanent and official statements. " But obviously many other factors come into play: local traditions, religious considerations, financial resources, intended setting, availability of materials.