By Robert van Krieken

This booklet locates Elias's paintings basically in the improvement of sociology and likewise opposed to the historical past of present debates.Between the Nineteen Thirties and the Nineteen Eighties he constructed a different method of social idea that's now commencing to take root in modern social learn and concept. because the translation of his paintings into English started to speed up within the Nineteen Eighties, progressively more books and articles on subject matters together with wellbeing and fitness, sexuality, crime, nationwide and ethnic identification, femininity and globalization, in numerous disciplines, make confident connection with Elias as an expert at the historical past of feelings, id, violence, the physique and nation formation.

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80 His theoretical talents lay in a different direction, in absorbing the essence of what was useful and productive in writers he read, integrating their insights with other ideas and utilizing the resultant synthesis of concepts in the analysis of a specific body of evidence. 81 His English colleagues treated him with ‘a lightly condescending affection’,82 but only occasionally with intellectual respect. Elias also wrote a piece on the Eichmann trial in 1961–62, entitled ‘The breakdown of civilization’, which explored the implications of National Socialism for our understanding of ‘civilization’.

88 Goudsblom’s conviction that Elias’s approach to sociology transcended many of the conflicts and disputes in contemporary sociology was clearly articulated in his Sociology in the Balance,89 and as senior Professor of Sociology at Amsterdam his view carried weight. There was also considerable criticism, but in the long run this heightened the interest in Elias and made it even more interesting and important to read him. Much the same dynamic can be seen in relation to any writer—most recently, Foucault, Derrida, Baudrillard, Giddens—where the right mixture of criticism and admiration significantly expands their readership.

I still remember very clearly…. Of course, I shall never get over it. ’69 It seems likely that his own 30 AN INTELLECTUAL SKETCH reluctance about making Über den Prozeβ der Zivilisation more easily available and having it translated into English—it took forty years—as well as the difficulties he encountered writing to the same level of productivity, were related to the associations between his book and these tragic events. On publishing Über den Prozeβ der Zivilisation, he gained a Senior Research Fellowship at the LSE.

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Norbert Elias (Key Sociologists) by Robert van Krieken
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