By Marty Noble
Notable variations of actual local art--rich in attractiveness and originality--depict, between different matters, a Mixtec round layout from an incised gourd rattle, spiritual figures from a Metepec ceramic candlestick, aand photographs of jaguars taken from a lacquered chest from Guerrero. a thrilling problem for coloring publication fans, those 30 attention-grabbing illustrations also will motivate artists, designers, and craftspeople.
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63 See, for example, Gary Craig, Civil Society Associations and the Values of Social Justice (Dunfermline: Carnegie UK Trust, 2009). 64 Jordan and Taylor, Hacktivism and Cyberwars. 65 See, for example, Casius Pealer, “Practice Matters: Nonprofit Work Experience, Beneficial for All but Far too Rare”, Architectural Record (August 2007), pp. p. p. 67 Alissa Walker, “Open-Source Innovation: IDEO’s Human-Centered Design Toolkit”, in Case Studies in Sustainability from the Designers Accord (Fast Company, 2009).
Kim Dovey, Framing Places: Mediating Power in Built Form (London: Routledge, 2008), p. 16. Jose L. S. Gamez and Susan Rogers, “An Architecture of Change”, in Expanding Architecture, ed. Bryan Bell and Katie Wakeford (New York: Metropolis Books, 2008), p. 21. Kenneth Frampton, “The Work of Architecture in the Age of Commodification”, Harvard Design Magazine, no. 23 (Fall 2005/Winter 2006), p. 23. Bryan Bell, “Expanding Design Toward Greater Relevance”, in Expanding Architecture, ed. Bryan Bell and Katie Wakeford (New York: Metropolis Books, 2008), p.
21 See, for example, Francesca Polletta and James M. Jasper, “Collective Identity and Social Movements”, Annual Review of Sociology, Vol. 27 (2001), pp. 283–305; Rhys H. Williams, “The Cultural Contexts of Collective Action”, in The Blackwell Companion to Social Movements, ed. David A. Snow, Sarah A. Soule, and Hanspeter Kriesi (Oxford: Blackwell Publishing, 2007); and James M. Jasper, The Art of Moral Protest: Culture, Biography and Creativity in Social Movements (Chicago, IL: The University of Chicago Press, 1997).