By Owen Jones
Великолепный материал для искусствоведов и художников. Первое богато иллюстрированное полное издание орнаментов народов
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The conceptual design stage, which was the area of production done exclusively by Milne, required talents specific to drawing and design. Here the separation goes beyond the art versus craft debate, and into perceptions of cultural 19 ALLI E D ARTS Fig. 2 Frederick J. ” capital. ”82 And so, despite the fact that Milne was trained in a range of craft materials and techniques and enjoyed the physical work, she alligned herself with the artist in architecture rather than the artisan (fig. 2). ” This was the beginning of intense debate within the craft world over outdated terms such as “handicraft” and “artisan,” and Canada was no exception.
As architectural historian Janet Wright comments, buildings like this “were built to project a suitably dignified architectural image that would reflect creditably on the state,”23 and this structure employed high-end materials such as marble to ensure a majestic set of buildings.
C. ”30 The variety of media included for consideration was remarkably broad, and all craft materials were included. ”31 To raise the prestige of the award, the Royal Architectural Institute sponsored a competition to commission a formal Allied Arts medal. ”34 The winner of the first raic Allied Arts medal was Armand Filion, a respected stone sculptor from Quebec (for a full list of winners see Appendix). Considered to be a member of Quebec’s religious art revival movement, Filion 9 ALLI E D ARTS created stone relief sculpture in a style resembling Art Deco, and his works already graced churches, hospitals, recreation centres and other public buildings, predominantly in Montreal.