By Sara Ahmed
This can be a daring tackle the an important position of emotion in politics. feelings paintings to outline who we're in addition to form what we do and this is often not more powerfully at play than on the planet of politics. Ahmed considers how feelings continue us invested in relationships of energy, and likewise exhibits how this use of emotion will be the most important to feminist and queer political events. Debates on foreign terrorism, asylum and migration, in addition to reconciliation and reparation are explored via topical case stories. during this textbook the tough matters are faced head on. New for this variation: a considerable 15,000-word Afterword on 'Emotions and Their items' which gives an unique contribution to the burgeoning box of impact reviews; a revised Bibliography; and up-to-date all through
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Extra info for The cultural politics of emotion
Sample text
She was still grieving when I met her in 1968. The mother’s feelings. They are announced from the perspective of the daughter who is now a mother herself. They are the feelings that were negated by those who committed the injustice; they are the feelings that made that injustice so unjust. And yet still, before her mother, Fiona recognises the limits of her own feelings and the impossibility of feeling the feelings of others: ‘no-one can ever know the heartache’. ’ The mother’s pain is here evoked as unfeelable both for those who are with her, and for those who read the story.
9 The impossibility of feeling the pain of others does not mean that the pain is simply theirs, or that their pain has nothing to do with me. I want to suggest here, cautiously, and tentatively, that an ethics of responding to pain involves being open to being affected by that which one cannot know or feel. Such an ethics is, in this sense, bound up with the sociality or the ‘contingent attachment’ of pain itself. Much of the thinking on pain, however, contrasts the ungraspability of the other’s pain with the graspability of my own pain.
There is a gulf that cannot be overcome by empathy, even by somebody in the story, connected by a bond of love; even by the daughter whose pain is also part of the story, whose pain throbs the story into its difficult life. The impossibility of communicating this loss is echoed in the life of these bodies, curled as they are into their different bodily worlds, shuddering with the intensity of a pain that surfaces as loss: ‘curled up in the foetal position’. Bodies, kept apart, moving away from each other, from the reader: ‘We got there in the dark and then we didn’t see our mother again.