By Kristina Nelson
For the Muslim devoted, the widespread sound of the Qur'anic recitation is the fundamental and such a lot speedy technique of touch with the notice of God. Heard day and evening, in the street, in taxis, in outlets, in mosques, and in houses, the sound of recitation is much greater than the pervasive history track of lifestyle within the Arab international. it's the middle of spiritual devotion, the sanctioning spirit of a lot cultural and social existence, and a valued paintings shape in its personal correct. Participation in recitation, as reciter or listener, is itself an act of worship, for the sound is simple to a Muslim's experience of faith and invokes a collection of meanings transcending the actual get together. For the main half, Westerners have approached the Qur'an a lot as scriptural students have studied the Bible, as a set of written texts. The paintings of Reciting the Qur'an goals at redirecting that attention towards a deeper knowing of the Qur'an as a essentially oral phenomenon. concentrating on the Egyptian context, and reading Muslim attitudes towards the Qur'an, the associations that keep watch over its recitation, and performer-audience expectancies and interplay. Kristina Nelson, a educated Arabist and musicologist, casts new mild at the importance of Qur'anic recitation in the international of Islam at the present time. This new version of a landmark learn, with a brand new postscript, may be welcomed by means of all students and scholars of the trendy heart East, in addition to via ethnomusicologists, anthropologists, linguists, folklorists, and spiritual students.
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Additional info for The Art of Reciting the Qur'an
Example text
Mim mdl from min mdl, qawmum min~nisd:) from qawmun min nisd\ lahabiw wa from lahabin wa\ may yaqul from man yaqul). The effect of gunnah, in the case of ixfd* and iqldb, and of gunnah and doubling in idgdm and the doubled /m/ and /n/, is to prolong the duration as well as to change timbre. This duration is not regulated except by convention, which gives the syllable almost double the value of the equivalent non-nasalized syllable. In practice, the nasalized syllable may be even longer. 8 Qalqalah A quality unique to recitation is qalqalah.
The types of rhyme are simple and multisyllabic end-rhyme and internal rhyme. The structure of the Arabic language is conducive to rhyme, both multisyllabic and simple, in that all morphemes fit into one of a number of syllabic patterns. These mark such aspects of meaning as passive voice, plurality, gender, case, intent or desire, reciprocity, and so forth. To a large extent, the rhyme and rhythmic patterns inherent in the language account for the untranslatability of the sound of the text. Compare, for example, the alternating rhyme and the parallel rhythms in the following Qur'anic texts with the English versions (here, as in other extended passages of 8 The Text: The Qur'an Qur'anic quotation, the transcription is an attempt to show all details of pronunciation peculiar to the recited Qur'an so as to provide the most accurate rendering of its sound): " al-xabitatu li 1-xabitma wa 1-xabituna li 1-xabitat 'at-tayyibatu li t-tayyibma wa t-tayyibuna li t-tayyibat Impure women are for impure men and impure men are for impure women.
In it is guidance for those who fear God" (Ddlika 1-kitdbu la raybs. :. Fihi hudd li 1-muttaqin) or: "This is the Book in which there is no doubt. /. [It is] a guide for those who fear God" (Ddlika 1-kitdbu la rayba fih. '. Hudd li 1-muttaqin}. Scholars recognize that the rules of pause and beginning were developed after the early period of Islam (sadr al-Islam] and are not based on any chains of transmission going back to the actual recitation of the Prophet, his companions, or followers: rather, the rules were formulated to guarantee clarity.