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B. c. d. 12a. b. c. d. e. 1 b. c. d. 2a. b. c. d. 3a. b. c. d. 4a. b. c. d. 5a. b. c. d. e. TOTALS 2+3 2+3+2+2 4+2+2 3+2+2 3+2+2 2+4 2+2+2 2+2 2+4 4+3 3+2+1+2 2+4 1+4+2 2+2+2 3+3 1+1+3 3+2+3 3+3 3+2 2+1+2 2+2+3+5 1+2+3+3 2+4 2+2+3 2+2 2+3+5 2+3 4+1+1+3 2+5 4+1+2+3 1+1+2+2 4+3 3+3 1+4+2 2+2+2 3+3 1+1+3 3+2+3 5 9 8 7 7 6 6 4 6 7 8 6 7 6 6 5 8 6 5 5 12 9 6 7 4 ID 5 9 7 10 6 7 6 7 6 6 5 8 2 4 3 3 3 2 3 2 2 2 3 2 3 2 2 2 3 2 2 2 4 3 2 3 2 3 2 3 2 3 3 2 2 3 2 2 2 3 66 cola 442 168 2. 1 For the musical director.
3 and 2. 3-4. 34, 'let them bring me... Then I will go' (nRinKi... -^torr). 9. ) We wish to highlight two repetitions which serve to reinforce the psalmist's dominant concern, his soul's longing for his God. 2b, 3a, 5b, 6a, 7a, 12a; 43. 5a). 'elohim, its suffixed forms, and 'el, total 21 occurrences (3 x 7). Yhwh is used once for a total of 22 references to the deity. This appropriately corresponds to the acrostic nature of the poem with its 66 cola. 'Slohtm — 10 2. The Texts: Psalms 42-43 47 1 2 4 A 21 '¿/ó/té 'elóheyká 'élóháy 'él The locations of these references to God in the poem fonn a symmetrical pattern.
Tfa ehp as the predicate, 'A river whose streams rejoice the city of God, is the sanctuary, the dwelling of the Most High'. Junker (1962) reverses the subject and predicate. We, too, prefer to follow the MT but we believe that p'^tf 'rxSo ehp is in apposition to DTI^R ~va. Both of these phrases are the direct object of Troto' with vfta TO serving as a double subject. There are three possible ways to understand the phrase p^fl rotfn ehp. 1. mskny is an epexegetical genitive or a genitive of specification after the bound form of the adjective q'edoS: 'the holy dwelling' (Williams 46; GKC 132c).