By Ellen G. Levine, Stephen K. Levine
(Jessica Kingsley) York Univ., Toronto, Canada. presents an arts-based method of the speculation and perform of expressive arts treatment. For practitioners. Softcover, hardcover indexed in approval week #98-46.
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Additional info for Foundations of Expressive Arts Therapy: Theoretical and Clinical Perspective
Example text
Ed. S. Hand. Oxford: Blackwell. K. ’ The Arts In Psychotherapy 23, 2, 131–136. McKim, E. (1988) Boat of the Dream. West Roxbury, MA: Troubadour Press. Merleau-Ponty, M. (1966) Phenomenology of Perception. London: Routledge and Kegan Paul. Merleau-Ponty, M. (1968) The Visible and the Invisible. Evanston, IL: Northwestern University Press. Nancy, J-L. (1991) The Inoperative Community. Minneapolis and Oxford: University of Minnesota Press. Nancy, J-L. (1996) The Muses. Stanford, CA: Stanford University Press.
3 Information available: Tamalpa Institute, Daria Halprin-Kalighi, Director, PO Box 794 Kentfield, DA 94914; McNiff (1988); European Graduate School in Leuk CH 3953, Switzerland. Margo Fuchs and Paolo Knill, faculty members. E. Løgstrup Majken Jacoby Beauty tends to come unexpectedly. It sneaks up on us and takes us by surprise. Certainly, we take pleasure in anticipation of the beauty of the Echo Aria from Bach’s Christmas Oratorio heard many times before, and in that case we know exactly what to expect.
Contemplating contemporary psychotherapies, for instance, we recognize the role of imagination in dream interpretation as one that is shared with ancient traditions. Free association, another phenomenon of imagination, is also common in many schools of psychotherapy. Similarly, we can find forms of disciplined rituals. The strict temporal and spatial structures, for instance, as manifest in scheduling, contracts, room arrangements, use of substances, language, dress and behavior codes, in practice and training can phenomenologically be considered ritualistic.