By Yohanan A. P. Goldman, Arie Van Der Kooij, Richard D. Weis
The essays that contain this quantity in honor of Adrian Schenker deal with quite a few matters and themes within the box of textual feedback and the textual background of the Hebrew Bible. with the exception of the ebook of Kings, the individuals are editors of person Biblical books for the recent Biblia Hebraica Quinta. the themes of the essays variety from exams of the final textual state of affairs for a selected publication to investigations of translation strategy to experiences of particularities within the Leningrad Codex and its Masorah. such a lot books of the Hebrew Scriptures are handled in a single of the essays.
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Additional info for Sofer Mahir: Essays in Honour of Adrian Schenker Offered by the Editors of Biblia Hebraica Quinta (Supplements to Vetus Testamentum, V. 110)
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II El Octateuco (TECC 6; Madrid, 1967), 279–305 and A. V. Billen, The Old Latin Texts of the Octateuch (Cambridge, 1927). 12 The versions of the Psalter and the Prophets were an early product, but apparently later – Joshua and Judges belong to the concluding parts – Jerome turned more and more toward the translation sensus de sensu, in spite of his statement in the Letter 57 (to Pammachium), that for the biblical texts it was preferable to translate verbum e verbo. In Judges the free renderings of idiomatic verbal constructions are very frequent.
Richard Weis, New Brighton, MN, for reading through a draft of this article and correcting the English at a number of points, and also suggesting some stylistic improvements. THE GENUINE TEXT OF JUDGES Natalio Fernández Marcos The last decade has been a watershed for literary studies on the book of Judges from rhetorical, sociological, feminist or postmodern perspectives, while, on the other hand, text critical studies do not really abound. Several years of work on the text of Judges for the Biblia Hebraica Quinta (BHQ ) lead me to a certain number of provisional conclusions on the text history and critical restoration of the book.
G’s plural form might have been prompted by the plural “pools”, but M’s singular is a more natural indication of the location of the pools. Misreading / Misinterpretation 1:4 ynIkev]m,; “draw me” > “they drew you”: The Masoretic accentuation wants us to read: “Draw me; after you we will run”, which is hardly meaningful. G’s reading is an attempt to redress this. The verb could easily be read as a defective plural perfect; more substantial was the change in suffix. Generally, however, the accentuation is disregarded, and the following “after you” connected with the first word, “Draw me after you”, which makes perfect sense.