By Marie Mutsuki Mockett

Ghosts lurk within the bamboo wooded area open air the tiny northern jap city the place Satomi lives along with her elusive mom, Atsuko. A preternaturally proficient pianist, Satomi wrestles with internal demons. Her fall from grace is echoed within the lifetime of her daughter, Rumi, who unleashes a ghost she needs to chase from foggy San Francisco to a Buddhist temple atop Japan's icy Mount Doom. In sharp, lush prose, settling on Bones from Ash - by way of Marie Mutsuki Mockett - examines the ability and obstacles of girl expertise in our globalized international.

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Rabih wonders how much further he might go. He strokes the back of Kirsten’s neck, then her shoulders. He braves a tentative caress over her chest and waits in vain for a reaction. His right hand makes a foray over her jeans, very lightly, and traces a line down both her thighs. He knows he may now be at the outer limits of what would be fitting on a second date. Still, he risks venturing down with his hand once again, this time moving a bit more purposefully against the jeans, pressing in rhythm between her legs.

Usually accompanied by an anticipatory air of playful, vicarious excitement. The couple then typically look at one another—sometimes a little shyly when the whole table has stopped to listen—to determine who should tell it this time. Depending on the audience, they may play it for wit or for tenderness. It can be condensed into a line or fill a chapter. The start receives such disproportionate attention because it isn’t deemed to be just one phase among many; for the Romantic, it contains in a concentrated form everything significant about love as a whole.

She insists on coming to meet them at the station, though it means a bus journey from the opposite side of town. She calls Kirsten her “Lambie” and hugs her tightly on the platform, her eyes closed achingly. She extends a hand formally to Rabih and apologizes for the conditions at this time of year: it is two thirty in the afternoon and already nearly dark. She has the same vivacious eyes as her daughter, though hers have an additional, unflinching quality that causes him to feel rather uncomfortable when they settle on him—as they are to do repeatedly, and without apparent occasion, during their stay.

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Picking Bones from Ash by Marie Mutsuki Mockett
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