By Johannes Nissen, Sigfred Pedersen

This assortment by way of Scandinavian students bargains new stories on classical and smooth difficulties on the subject of the Fourth Gospel. There are essays on John and the Synoptics, and on John and the Qumran Scrolls. different essays current new literary methods reminiscent of the query of the 'implied reader', biblical imagery, and irony and sectarianism. important theological concerns are mentioned, together with the matter of anti-Judaism, the translation of the loss of life of Jesus, the idea that of project, the relation among group and ethics, and the knowledge of God within the Johannine writings.

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Additional resources for New Readings in John: Literary and Theological Perspectives. Essays from the Scandinavian Conference on the Fourth Gospel

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F. Segovia has conducted an examination of the literary genre of John, although within a more historical context. Rightly he refers the Gospel to the biographical genre of antiquity. F. Segovia, 'The Joumey(s) of the Word of God: A Reading of the Plot of the Fourth Gospel', Semeia 53 (1991), pp. 23-54. 19. Stibbe refers to the English translation of P. Ricoeur, Time and Narrativity, I, II (Chicago: University of Chicago Press, 1984, 1986). 20. B. Gallie, Philosophy and the Historical Understanding (London: Chatto & Windus, 1964).

Culpepper defines the literary reading as an approach distinctively different from the historical one; this implies that the two approaches become not alternatives but options. It follows, however, that if the Gospel is read in one way, it cannot simultaneously be read in the other way. Culpepper simply defines the text he is about to interpret, as 'the words ... of the story as recorded in the 26th edition of the Nestle-Aland Novum Testamentum Graece'. Even so, he also considers ch. 21 an addition.

Notably literature is referential. A story refers continuously to actions and events taking place at a time that differs from the time and situations in which the story is told. But the references are to a world that only exists by virtue of the story's reference to it. The story creates this world through its references. We call it the narrative world. We have of course the feeling that this world must mean something in relation to our real world, but the relation is indirect, and I have not yet seen a completely satisfying explanation of this.

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New Readings in John: Literary and Theological Perspectives. by Johannes Nissen, Sigfred Pedersen
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