By David Goldhill
A visionary research that might swap the best way we expect approximately future health care: how and why it truly is failing, why increasing assurance will truly make issues worse, and the way our overall healthiness care may be reworked right into a obvious, cheap, winning system.
In 2007, David Goldhill's father died from infections obtained in a medical institution, one among greater than 2 hundred thousand avoidable deaths according to 12 months brought on by scientific blunders. The invoice was once enormous--and Medicare paid it. those situations left Goldhill offended and decided to appreciate how world-class expertise and team of workers may possibly coexist with such carelessness -- and the way a enterprise that failed so miserably can be paid in complete. Catastrophic Care is the eye-opening result.
Blending own anecdotes and huge examine, Goldhill provides us with cogent, biting research that demanding situations the fundamental preconceptions that experience formed our pondering for many years. Contrasting the Island of future health care with the Mainland of our financial system, he demonstrates that prime expenditures, extra drugs, bad carrier, and scientific blunders are the inevitable outcomes of our insurance-based process. He explains why coverage efforts to mend those difficulties have continuously produced perverse effects, and the way the recent reasonable Care Act is prone to deepen than to resolve those issues.
If you're thinking that overall healthiness care is fascinating in simple terms to institutes and politicians, re-examine: Catastrophic Care is astounding, enticing, and brimming with insights born of questions not anyone has suggestion to invite. principally it's a ebook of latest principles which could remodel the best way we comprehend a subject matter we regularly take for granted.
Read Online or Download Catastrophic Care: Why Everything We Think We Know about Health Care Is Wrong PDF
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Additional resources for Catastrophic Care: Why Everything We Think We Know about Health Care Is Wrong
Example text
These background activities lend support to the explicit promotion of products as diverse as shampoo, beauty creams, cars, motor oil, and cereals and are acts of consumption, albeit presented obliquely. That is, the objects of oblique consumption are never referred to directly as objects of consumption but are insinuated into a scene as part of what makes it "naturally" romantic. For example, the ad for "Mobiloil" showing a couple sitting in a movie theater encourages readers to consume this rather unromantic product by implying that by so doing 38 When Romance Met the Market they will intensify the romance in their lives (the couple was able to get to the movie theater by car in winter; hence Mobiloil helps maintain the romance provided by going to the movies).
The nascent movie industry, then, exploited the themes of love, marriage, and happiness in terms of consumption, leisure, and fun, and it collaborated with the burgeoning advertising industry to make these ideas widely available to a public eager to learn and adopt new standards of romantic and sexual behavior. LOVE ON SALE The emerging national advertising system associated romance not merely with consumption, leisure, and physical attractiveness, but also with a host of attendant values. 40 During the 1920s, the advertising agency changed from brokering space in newspapers to serving the interests of the giant corporations, and this shift helped raise the agencies to the status of economic and cultural tastemakers.
Media texts draw from the meanings of everyday life, while everyday life uses and appropriates symbols codified in mass media organizations. 43 The methodological problem then is to devise strategies that can grasp the dense entanglement of everyday life with media texts and to understand when culture operates as background and when it has an efficacy of its own. ) The accent of my cultural analysis is primarily on the activity of making and using symbols. But my interpretation does not, 1 hope, succumb to the temptation of subjectivism, either my own or that of social actors.