By Michael Siebenbrodt
Bauhaus : 1919-1933
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Additional info for Bauhaus 1919-1933 : Weimar, Dessau, Berlin
Example text
This is demonstrated by Würfelplastik/Lichtplastik (Cubic plastic/Light plastic) by Theobald Emil Müller-Hummel of 1920 or Nikolai Wassiljew’s Spiral-Turm (Spiral Tower) of approximately 1920, constructions made of tin cans, metal strips and wires on a pedestal. Of the material collages, reliefs and preparatory course “plastics”, hardly any originals are preserved, and only a few were photographically documented, fourteen of which are in the original photo documentation archive of the Weimar Bauhaus.
Every piece of work has a certain source material, thus we must first examine what Beginning in 1921, Georg Muche taught the preparatory course in rotation with Itten, and from 1923 to 1928 it was run by László Moholy-Nagy, supported by Josef Albers, who ran the preparatory course workshop in the Weimar Reithaus. ” This became particularly evident in construction studies, where Moholy-Nagy examined topics like structural engineering this material is like. For this purpose we will–without yet producing anything–experiment with it.
From 1927, students were no longer allowed to work with materials they had chosen themselves, but now followed the order (set by Albers) of glass, metal and paper before combinations of materials were to be explored. Albers explained the exercises on metal and paper surfaces: “The materials must be worked in such manner that no waste occurs; economy is the highest principle. ”18 Hannes Beckmann, who took the prep course in 1929/1930, described his first lesson as follows: Josef Albers entered the room with a bundle of newspapers under his arm, which he had distributed to the students.